Pepper catalogue cover featuring a steel sculpture

Beverly Pepper: Voyages Out

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Artist: Beverly Pepper

Title: Beverly Pepper: Voyages Out

Author: Text by Rosalind E. Krauss

Year: 2008

ISBN: 978-0897973526

Publisher: Marlborough Gallery, Inc.

Book Format: Paperback, 11 5/8 x 9 1/2 inches, 31 pages, 26 color plates

Marlborough Gallery presents Voyages Out: New Steel Sculpture, an exhibition on the work of the notable American sculptor Beverly Pepper, on view from September 12 through October 11, 2008. The show, which features five new works from Pepper, is a continued examination of “monumentality”, a recurrent concept in Pepper’s oeuvre. The new works exhibited exist dually in and out of historic time, and reveal that sculpture is based not on words, but rather physical experience.

The accompanying catalogue Voyages Out features an essay from Rosalind E. Krauss, American art historian and professor at Columbia University, and twenty-six color illustrations.



Born near Warsaw, Poland in 1930, this textile artist, known principally for her large-scale sculptures and installations, is also a painter and printmaker. Abakanowicz witnessed the horrors of the Nazi occupation, the Warsaw uprising, and later lived in the grim economic conditions of Communist Poland. In the midst of these hardships and limitations, she was able to transform natural and found materials into expressive art. This gift became a distinguishing characteristic of her work, and her experiences continue to shape the themes she explores in her art.

Originally creating abstract pieces, Abakanowicz has moved to figurative work. Whether two or three-dimensional, she uses the minimum amount of detail necessary to create associations for the viewer, but keeps the works open for individual interpretation. Her pieces refer to patterns and complexity in nature as well as nature's ability to destroy and reinvent. Having made separate series of works focusing on torsos, backs, brains, and faces, much of her art focuses on isolated parts of the human body. Abakanowicz creates a junction where primitive and contemporary, dead and alive, and physical and spiritual meet. Her vast artistic achievements carry with them the intensity of her cultural history and her drive to move forward from the adversity she has faced.

The work of Abakanowicz can be found in collections worldwide including the Australian National Gallery of Art, Canberra, Australia; Center for Contemporary Art, Warsaw, Poland; Jardin des Tuileries, Paris, France; Centre Georges Pompidou, Musee National d'Art Moderne, Paris, France; Giuliano Gori Collection, Fattoria di Celle, Santomato di Pistoia, Italy; Israel Museum, Jerusalem, Israel; Ludwig Museum, Cologne, Germany; Storm King Art Center, Mountainville, New York; The Metropolitan Museum of Art, New York; Museum of Modern Art, New York; National Gallery of Art, Washington, D.C.; Sezon Museum, Tokyo, Japan; Tate Modern, London, England; and the Sun Jeu Museum, South Korea.